“ marra”, in Harry Thurston Peck, editor (1898) Harper's Dictionary of Classical Antiquities, New York: Harper & Brothers. Carpenterius, Adelungius and others, edited by Léopold Favre, 1883–1887) marra in Charles du Fresne du Cange’s Glossarium Mediæ et Infimæ Latinitatis (augmented edition with additions by D. Lewis (1891) An Elementary Latin Dictionary, New York: Harper & Brothers Cincinnati, Ohio Chicago, Ill.: American Book Company Oxford: Clarendon Press. “ marra”, in Charlton T Lewis Charles Short (1879) A New Latin Dictionary, New York, N.Y. Marra f ( genitive marrae) first declension ( Ecclesiastical ) IPA ( key): /ˈmar.ra/,. Possibly from Semitic via Ancient Greek μάρρον ( márrhon ) compare Akkadian 𒄑𒈥 ( marru ), Classical Syriac ܡܪܐ ( marra ), and Arabic مَرّ ( marr ). AMARRA MEANING FULL
* Spoken form, usually not written in writing, the unappended plural form (optionally followed by the full pronoun) is preferred. ** the mediopassive present participle is extremely rare and normally not used it is never used attributively or predicatively, only for explicatory subclauses Marra ( weak verb, third-person singular past indicative marraði, supine marrað)
“ marra” in Álvarez, Rosario (coord.): Tesouro do léxico patrimonial galego e portugués, Santiago de Compostela: Instituto da Lingua Galega. “ marra” in Tesouro informatizado da lingua galega. “ marra” in Dicionario de Dicionarios da lingua galega, SLI - ILGA 2006–2013. “ marra” in Dicionario de Dicionarios do galego medieval, SLI - ILGA 2006–2022. “ marra” in Xavier Varela Barreiro & Xavier Gómez Guinovart: Corpus Xelmírez - Corpus lingüístico da Galicia medieval. Que ouuo senpre de custume de non meter vinno de fora parte en esta vila et saluo que os visinnos da villa ouueren de sua lauoria et sua marra because it was the custom of this town not to introduce wine from the outside, except if the neighbours needed it and lacked it Santiago: Consello da Cultura Galega, page 206: 1389, Enrique Cal Pardo (ed.), Colección diplomática medieval do arquivo da catedral de Mondoñedo. Que page por esta medida cada lavrador que labrar con dous boys des e oyto medidas arrapadas e o que lavrar con huun boy nove medidas et o que lavrar con amarra tres medidas each peasant should pay by this measure: the one ploughing with two oxen, eighteen levelled measures the one ploughing with one, nine measures the one ploughing with a hoe, threeįrom marrar ( “ to lack to miss ” ), from Proto-Germanic *marzijaną ( “ to disturb hinder impede ” ). Santiago: Bibliófilos Gallegos, page 238: 1412, José García Oro (ed.), Galicia en la Baja Edad Media. Compare Classical Syriac ܡܪܐ ( marrā, “ hoe, shovel ” ), Arabic مَرّ ( marr, “ shovel, spade ” ), and Akkadian 𒄑𒈥 ( marru ). third-person singular past historic of marrerįrom Latin marra ( “ hoe ” ), probably from a Semitic language, ultimately from Akkadian. Todd's Geordie Words and Phrases, George Todd, Newcastle, 1977. A List of words and phrases in everyday use by the natives of Hetton-le-Hole in the County of Durham, F.M.T.Palgrave, English Dialect Society vol.74, 1896,. Northumberland Words, English Dialect Society, R. Newcastle 1970s, Scott Dobson and Dick Irwin,. A Dictionary of North East Dialect, Bill Griffiths, 2005, Northumbria University Press, →ISBN. ( West Cumbria, Tyneside, Mackem, informal ) A friend, pal, buddy, mate.Ĭheers marra! Alreet marra? Hoo's it gaan marra?. go with Audirvana.English Alternative forms If you have a warmer, thicker sounding system and want a little extra clarity and definition. If you have a more analytical setup and want to inject some analogue goodness, opt for Amarra. I won't say that one is better than the other, but I will say that I vastly prefer Amarra with my setup. The decay, dimensionality and "room" sound is greater. All instruments share one space and "interact" with one another. It is more of a forward and energetic sound overall.Īmarra counters with better cohesiveness, tube-like organic sound. Each instrument or track within the recording has a space of its own where you as a listener can better focus in on. Has a flatter and better spaced out sound. I would describe Audirvana as being crisper cleaner and having more of a direct, digital transistor sound with better separation than Amarra. Then it becomes non-insignificant and appreciable. It is very subtle unless you know what to listen for. I have spent 1 hour going back and forth on many songs and I believe I finally understand how they differ. I didn't believe there would be a difference between bit perfect music player software, but there is.
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